AI b7120e52-2bdd-4cb7-b3f2-5fc802c6993e
AI b7120e52-2bdd-4cb7-b3f2-5fc802c6993e
Table of Contents
ToggleKatzman’s authority as executive producer empowered him to write and direct more episodes than anyone else, solidifying his influence over the series. Despite facing creative conflicts that led to a temporary departure from Dallas, increased production costs and declining ratings ultimately brought Katzman back to steer the ship once again. Not content with just one success, he also created the spin-off series Knots Landing and crafted the crime drama Dangerous Curves. The legacy of Leonard Katzman lives on through his contributions to television drama—a testament to his undeniable power in shaping this dynamic medium.

You might be skeptical of the impact Leonard Katzman had on the entertainment industry, but his significant contributions to Dallas and other shows, as well as the involvement of his family members in these productions, solidify his legacy as a transformative force in TV drama. As a producer, Katzman played a pivotal role in shaping the success of Dallas during its heyday. He took over as the de facto showrunner during the second season and under his leadership, Dallas evolved into a serialized drama that captivated audiences. Katzman’s creative conflicts with Philip Capice led to a temporary departure from the show but increased production costs and decreasing ratings brought him back as executive producer.
Not only did Katzman make an indelible mark on Dallas, but he also created other notable TV shows such as Knots Landing and Dangerous Curves. His family members were also heavily involved in these productions, with his sons Mitchell Wyne Katzman and Frank Katzman working alongside him. Even his daughter Sherril Lynn Rettino had a recurring role on Dallas.
Katzman’s impact on TV drama cannot be overstated. His vision and expertise shaped not just one groundbreaking series but several others throughout his career. Now let’s delve deeper into Leonard Katzman’s involvement in Dallas…

Immerse yourself in the captivating world of Dallas, where a visionary producer brought to life a ground-breaking television series that redefined the landscape of drama. Leonard Katzman’s involvement in Dallas spanned from its early days as a miniseries to its evolution into a long-running serial. Starting as an assistant director, Katzman quickly rose through the ranks and became the de facto show runner during the second season. His creative touch transformed Dallas into a gripping saga filled with intrigue, betrayal, and larger-than-life characters.
Prior to his time on Dallas, Katzman had already made a name for himself as a producer on other successful shows such as Gunsmoke. However, it was his work on Dallas that solidified his reputation as one of television’s most influential producers. With total authority over the show as executive producer, Katzman wrote and directed more episodes of Dallas than anyone else.
Despite some creative conflicts with Philip Capice that led to his temporary departure from the show, increased production costs and decreasing ratings eventually prompted Katzman’s return. His impact on Dallas cannot be overstated – he shaped its narrative direction, introduced unforgettable storylines and characters, and helped establish it as one of television’s most iconic dramas.
Transitioning seamlessly into the creation of spin-off series Knots Landing, Katzman continued to leave his mark on television history.

Step into the world of Dallas, where a master storyteller weaves a captivating web of narratives that extends beyond the confines of the original series. Leonard Katzman, a renowned television producer with a knack for creating compelling dramas, made his mark on the entertainment industry through his filmography, particularly in the realm of soap operas. During his tenure as executive producer of Dallas, Katzman transformed the show from a simple primetime drama into an addictive serial that kept audiences hooked for years.
However, Katzman’s involvement in Dallas went beyond just overseeing its success. Recognizing the potential for spin-offs, he stepped down from his production duties to create Knots Landing, another hit series set in the same universe as Dallas. This move not only allowed him to explore new storylines and characters but also expanded the scope and influence of his creative vision.
Katzman’s ability to craft compelling narratives and build upon existing worlds is evident in his work on both Dallas and Knots Landing. These spin-off series became integral parts of their own respective legacies and showcased Katzman’s talent for storytelling.
With this successful venture under his belt, Leonard Katzman would soon face personal challenges that would impact both him and those closest to him. Transitioning from professional achievements to personal life and family involvement…

Leonard Katzman fathered his first child, Gary Katzman, with Eileen Leener at a time when he was not yet fully established in the industry. However, he did not raise his first child, and Gary was eventually adopted by another family. It wasn’t until later that Katzman married LaRue Farlow Katzman and had three children of their own.
His sons Mitchell Wyne Katzman and Frank Katzman followed in their father’s footsteps and worked on the production of Dallas. They were also involved in other projects such as Dangerous Curves and Walker, Texas Ranger. Additionally, son-in-law John Rettino joined the family business by working on the production of Dallas as well.
Interestingly, Leonard’s daughter Sherril Lynn Rettino played a recurring character on Dallas. This familial involvement highlights the close-knit nature of the Katzman household and their shared passion for television production.
As we transition into discussing Leonard Katzman’s impact on the entertainment industry, it is clear that his personal life greatly influenced his professional endeavors. The support and collaboration from his family members undoubtedly played a significant role in shaping his successful career.

With his creative vision and unwavering dedication, Leonard Katzman revolutionized the television industry, leaving an indelible mark on the world of entertainment. During the wild west times of television production, Katzman emerged as a trailblazing force, pushing boundaries and redefining what was possible in the medium. As a television producer, he was at the forefront of innovation, constantly seeking new ways to captivate audiences and keep them hooked. His filmography is a testament to his time as a visionary storyteller.
Katzman’s influence can be seen in the shows he produced during his illustrious career. From Dallas to Knots Landing, he brought gripping narratives filled with complex characters that kept viewers glued to their screens week after week. With each project, he pushed the envelope further and challenged conventions of storytelling in television. Katzman’s impact extends beyond just one show or genre; he helped shape an entire era of television drama.
Through his work, Katzman inspired countless aspiring producers and creators to push boundaries and take risks in their own projects. He showed them that there are no limits when it comes to storytelling on screen. His legacy lives on in the countless shows that have been influenced by his pioneering spirit.
Leonard Katzman’s contributions have forever changed the landscape of television. His innovative approach continues to resonate with audiences today, proving that his impact transcends time and remains relevant in the ever-evolving world of entertainment.
Leonard Katzman was a TV producer and director who transformed TV drama.
Leonard Katzman has worked on various TV shows and movies such as “Route 66,” “Hawaii Five-O,” “J.R,” “Logan’s Run,” and “Wild Wild West.”
Leonard Katzman was born on September 5, 1927.
As an associate producer, Leonard Katzman worked on various projects, including “Space Probe Taurus,” “Producer Sam Katzman,” and “Brenda Starr.”
Leonard Katzman is known for his work on popular TV series like “Dallas,” “Hawaii Five-O,” and “Route 66.” He also produced movies such as “Batman” and “The Giant Claw.”
Leonard Katzman passed away in May 1991.
Yes, Leonard Katzman produced a reunion movie for the popular series “Dallas” in 1996.
Yes, there are podcasts and newsletters available that discuss Leonard Katzman’s contributions to TV drama.
Leonard Katzman played a significant role in transforming TV drama, especially with his work on the prime-time soap opera “Dallas” in the 1980s.
Leonard Katzman wrote and directed more episodes of Dallas than any other individual. As the de facto show runner and executive producer, Katzman had total authority over the series. His creative conflicts with Philip Capice led to a temporary departure, but increased production costs and decreasing ratings prompted his return. Katzman’s impact on Dallas was significant, as he played a crucial role in shaping it into a successful serial drama.
Leonard Katzman’s temporary departure from Dallas was prompted by creative conflicts with Philip Capice, resulting in increased production costs and decreasing ratings. Despite his authority as executive producer, these challenges led to Katzman stepping down from his production duties to create the spin-off series Knots Landing and work on other projects. However, he later returned to Dallas as executive producer due to the same issues. This period of absence showcased the impact Katzman had on the show and highlighted his crucial role in its success.
Four seasons of Dangerous Curves were produced. The crime drama aired as part of CBS late-night drama block Crimetime After Primetime. Leonard Katzman, the executive producer of Dallas, created Dangerous Curves and remained involved in its production. Katzman’s sons Mitchell Wyne Katzman and Frank Katzman, as well as his son-in-law John Rettino, were also involved in the production of the show. Dangerous Curves was one of the projects that showcased Katzman’s impact on the entertainment industry.
Leonard Katzman’s family tree could practically double as the Dallas production team’s directory. His daughter, Sherril Lynn Rettino, graced the screen with her recurring role on the show. But it doesn’t stop there. Katzman’s sons Mitchell Wyne and Frank were also in on the action, working behind the scenes to bring Dallas to life. Even his son-in-law John Rettino got a taste of the glitz and drama. It seems like talent ran deep in this television dynasty.
Leonard Katzman is buried in the Mount Sinai Memorial Park Cemetery in Los Angeles. His burial site is located in California, where he passed away at the age of 69 from a heart attack. Katzman’s contributions to the entertainment industry, particularly his work on Dallas and other shows, have left a lasting impact on TV drama. Additionally, his family members were also involved in the production of Dallas and other projects, further solidifying their legacy in the industry.
In the world of television drama, Leonard Katzman left an indelible mark. His creative touch transformed the hit series Dallas into a captivating serial, captivating audiences with its twists and turns. Katzman’s authority as executive producer gave him the power to shape the show’s direction, though conflicts temporarily led to his departure. Yet, his return was prompted by dwindling ratings and rising production costs. Katzman’s impact extended beyond Dallas, as he also created spin-off series like Knots Landing and crime drama Dangerous Curves. His legacy lives on in the entertainment industry, where his contributions will forever be remembered.
Click on a star to rate it!
Average rating 0 / 5. Vote count: 0
No votes so far! Be the first to rate this post.
We are sorry that this post was not useful for you!
Let us improve this post!
Tell us how we can improve this post?
Before retirement, Dora was the editor and publisher of various online magazines. For example, she edited and published GEnie Lamp – an online magazine for General Electric’s Information Service (GEIS) – and the BBS Magazine, TeleTalk Online.
Now retired, Dora and her husband, Mike, enjoy RV traveling, camping, and meeting fellow campers.